Friday Photo: A Smoking Party

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"A Smoking Party", 1824. The Lewis Walpole Library.

We have a new event this spring! On May 12th, we will be pairing fine rums and cigars in celebration of the historic rum trade. As the print above from the Lewis Walpole Library shows, gentlemen enjoyed puffing and quaffing in social situations in the 19th century. Of course, we will be outside instead of sitting around the Hammond-Harwood dining room! All guests (of age, of course!) are invited to partake in the sampling from 5pm-7pm in our beautiful garden. Please call 410-263-4683 ext.10 for reservations. $60 per person.

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Inspired by Hammond-Harwood

By Intrepid Intern Tara Owens

Famed architect William Buckland is the man responsible for the design and details of the Hammond-Harwood House.  Buckland’s architectural style was greatly influenced by the Italian architect Andrea Palladio (1508-1580).  In fact, the Hammond-Harwood House is based on Palladio’s design for the Villa Pisani (see pictures below).

Just as Palladio served as inspiration to Buckland, so too would Buckland serve as an inspiration to future architects. The Hammond-Harwood House has come to be known as one of the finest examples of Palladian architecture in America, and as a result, was used as the template for other great American mansions.

One such house is the Vaughn Nixon house located in the area of Buckhead in Atlanta, Georgia. It was constructed in 1925-1926 and is said to have been Atlanta architect Neel Reid’s homage to the Hammond-Harwood House.

Another example of domestic architecture inspired by the Hammond-Harwood House is Marienruh, a historic fieldstone colonial revival country estate built for heiress Alice Astor, the daughter of John Jacob Astor IV.  Marienruh is situated on 100 acres overlooking the Hudson River and was constructed by renowned architect Mott B. Schmidt.

Lastly, there is the Ladew House and Gardens, built for Harvey S. Ladew circa 1929. Located in Monkton, Maryland, the Ladew House was a renovation and addition to a pre-existing frame house on the Pleasant Valley Farm owned by the Scarff family. The original structure consisted of two sections built in the last half of the eighteenth century and first half of the nineteenth century. Architect James W. O’Connor and interior decorators Billy Baldwin, Jean Levy, and Ruby Ross Wood aided Ladew in the property’s renovation. Unlike the two previously discussed houses, the Hammond-Harwood House influence does not lie in the structure’s exterior, but is found in architectural details inside. The drawing room features broken pediments and molding copied from the Hammond-Harwood House. See here for pictures of the space.

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Friday Photo: Maryland Day!

 

Hello HHH enthusiasts!

This year we are participating in the annual Maryland Day, and the focus is kids! In previous years, we’ve had open houses on Maryland Day, but we wanted to enrich the program and provide something fun and unique. So, for 2012, we are opening our doors to all families and inviting the kids to try on reproduction 18th century clothing as well as learn a little 18th century etiquette. Once your child has mastered their bow or curtsy, they will receive a coloring book and postcards as a reward for their stellar manners. No registration is necessary for this free program, and we can promise lots of smiles (as proof, see picture above!) and a perfect bow or curtsy by the end of the day!

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Friday Photo: Buxus Sempervirens

The weather is beautiful today, and so is the garden at Hammond-Harwood House. I love to look at the cheerful daffodils that are currently blooming, but I think my favorite thing in the garden is a less jaunty-looking plant. The dark green shrub in the picture above is American Boxwood, or Buxus sempervirens. According to the American Boxwood Society, boxwood was first planted in America around 1653, on Shelter Island in New York. It became very popular in the Federal Period (late 18th-early 19th century), and then again during the Colonial Revival movement of the 1920s and 30s. The boxwood at Hammond-Harwood House is said to have been planted by Frances Loockerman, who lived here from 1811 until her death in 1857. Supposedly she had the boxwood in the back garden planted in the shape of a heart; although the boxwood sustained some damage in the blizzard infamously known as Snowmaggedon, I think if you squint just right you can still see the heart…

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Friday Photo: Blue Shoes

I’ve had a long week of paperwork, paperwork, and more paperwork. It’s for a worthwhile reason, but still tedious. Now that it’s Friday and almost five o’clock it’s time to relax. How do I relax? Shoe shopping of course. So, to get inspired for some shopping, I thought I’d show you one of the most beautiful pairs of 18th century shoes I’ve ever seen. These are the ca. 1770 Eliza Pinckney shoes from the Charleston Museum, and I highly recommend you read their blog post about them.

Light blue satin shoes with silver braid, c. 1770. The label inside one shoe indicates that these were made in London by Thos. Hose, Shoemaker, Lombard Street. They belonged to Eliza Lucas Pinckney, who was married to Charles Pinckney, lawyer, judge and member of the House of Commons. Eliza is best known for her perseverance and success with her father’s indigo crop, ultimately making it a most prosperous crop in the Lowcountry (South Carolina) until the war. Her two sons were educated in London; both fought in the Revolutionary War. Charles Cotesworth was a member of the Provincial Congress and signer of the constitution; Thomas became governor of South Carolina. Her daughter Harriott married Daniel Horry of Hampton Plantation.Gift of Mrs. William Wallace Childs through Mrs. St. Julian Ravenel Childs in 1948TEXTILE TUESDAYS: Each Tuesday we post a piece from our textile collection.  Some items have been on exhibit, some will eventually be shown in our new Historic Textiles Gallery and some may be just too fragile to display. We hope you enjoy our selection each week – do let us know if there’s something in particular you’d like to see on TEXTILE TUESDAY! #TextileTuesday

From the Charleston Museum, charlestonmuseum.org

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From the Intern Desk: Tall Case Clock

Intrepid intern Tara has kindly agreed to assist me in sharing more information about items in our collection on the blog. So, without any further ado, here is Tara’s take on our tall case clock:

One of the most prized items in our collection is the 1797 tall case clock. This clock tells more than just time, it is a monument to the history of Annapolis and its citizens.

The first story the clock reveals is that of its maker, the Annapolis cabinetmaker John Shaw (1745-1829). Evidence suggests Shaw arrived in Annapolis around 1763 and soon set up shop with fellow cabinetmaker Archibald Chisholm. The two crafted and sold furniture, and imported goods ranging from tools to Jamaican brown sugar. Shaw is largely responsible for furnishing the Maryland State House, a commission that served as an advertisement for his name and craftsmanship. The wealthy elite of Annapolis, families such as the Carrolls, Lloyds, Chases, and Pacas, hired Shaw to build them various pieces of furniture. Due to their quality construction, Shaw furniture pieces have survived the test of time. Desks, bookcases, sideboards, clocks, and other pieces can still be viewed in some of Annapolis’s historic houses.

John Shaw’s Shop in Annapolis, MD (From the Historic American Buildings Survey)

The second story is that of the clock itself. The tall case clock was built circa 1797 using clock works made by Joseph White in London. Mahogany and mahogany veneers with light and dark inlays make up the primary wood. The secondary woods used are tulip poplar and yellow pine. The clock is 97 ¼ inches in height and 17 ¾ inches wide with a depth of 7 ½ inches.The clock reappears in the historical record in 1925, on the list of items from the Hammond-Harwood House  sold at auction.  Since it was in the House at that point, it must have belonged to Hester Ann Harwood (the last private resident of the Hammond-Harwood House), and presumably originally belonged to one of her Chase, Callahan, or Harwood ancestors. The clock sold for $785.00 at the auction and remained in private hands until 2007, when a relative of the woman who had purchased it donated it to the House.

The Tall Case Clock, made circa 1797 by John Shaw

The clock also provides an outlet through which we can understand the culture and practice of timekeeping in the 18th century. Today, we have clocks in almost every room of our houses, and with the advent of cell phones we have the ability to track time wherever we go without the use of a watch. This reality is a result of industrialization and technological advancements which make it easy to build and sell clocks at an affordable rate, but this has not always been the case. In the 18th century, clocks were the property of society’s elite. Ordinary people living and working in the 18th century regulated their day by the passing of the sun across the sky, so clocks were not necessary household items. The sundial in the Hammond Harwood House’s backyard serves as a reminder of this practice. However, there were some elite individuals who did purchase clocks. The home of George Mason, Gunston Hall, conducted an analysis of estate inventories, and found that wealthy families that owned clocks placed them in public rooms, such as the hall, passage, or dining room, so all members of the family could have access to them. Thus, it appears that the clock did not dictate the daily activities of the average 18th century person as it does our present lives. When we wake up, arrive at work or school, eat, etc. are all defined by time. In fact, it is almost unimaginable to conceptualize life without the ticking of a clock, but that reality is one that was familiar to all but the wealthy in the 18th century.

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Friday Photo: Customer Service

Mary Alexander & Rod Cofield demonstrating questionable customer service

This week, I returned from the Small Museum Association conference energized and full of ideas about using technology in museums, collections management, and improving the visitor experience at historic sites. The picture above came from one of the best sessions I attended, which used improvisational techniques to demonstrate some of the more interesting scenarios attendees had been subjected to at museums. The session was led by Mary Alexander from the Maryland Historical Trust and Rod Cofield from Historic London Town and Gardens. Their organizations, along with the Maryland Association of History Museums, are offering a workshop series over the next three years that explores the theme of “the visitor-centered museum.” The next workshop, called Connecting Visitors to Collections, is on May 21, and sounds fantastic. More information about the workshops, including video from the last one, can be found on the “Creating the Visitor-Centered Museum” website.

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